For a round up of the first half of the year click here

Grime in 2010, how will it be remembered? For me it is most MCs starting the year wanting to be a pop star, and finishing the year saying 'Grime all day'. We literally went from Lethal B putting out electro house turkeys to saying 'Grime is back' in the space of 6 months, when he decided to embark on Pow 2011.

Wiley was part of 3 top 20s with dreadful pop music, but then has been constantly pumping out Grime tracks via his twitter. In the middle of this, we have a new generation of MCs that have come through in the time the established artists have been away who are going the total opposite direction. Intense flows, violent lyrics and choosing the rawest productions to a point it is nearly comical. They have been able to win over fans who want to put a middle finger to the indecision of the top boys whether they are Grime acts or not, and have quickly won over fans that want 'real grime' back.

I have been shocked this year at how very few real album projects have come out. Nothing from Skepta, Wiley, D Double E, Tempa T, P Money, Dot Rotten, Trim, Griminal, Mz Bratt, Durrty Goodz etc have had product, but nothing solid. In a way it is exciting because it leaves the door open for a flood of albums in 2011, but if you read my end of review of 2009, I expected that of 2010, so I would be naive to think that will happen. Hopefully when they land, they won't be plagued with the same tired concepts that have hurt Grime CDs for years. How great they are, Haters, Swagger, Money and Women.

Skepta has been the only artist this year that has made a genuine attempt to chart a Grime song. 'Cross My Heart' whether you like it or not, is a typical Skepta beat, and would get played on sets every week if it was just a instrumental track. The delivery is the same that he would use on Rinse FM or in a club, and I think he has come the closest to the happy medium, something that can fit into day time radio, without losing an edge on the production side.

I am still trying to work out why Grime acts find it so difficult to choose a song they want everyone to have, get it played by the top DJs, do a video and get it on iTunes within reasonable time. It is easier then ever, all you need is a Tunecore account, a video on youtube, a song and you are on your way. Gone are the days where people will tolerate waiting 4 months to get a track, those who do that with their best work will hurt as they will fail to capitalise on their hype time and time again until they learn how to effectively release.

JME had the formula right, you hear the tune, see the video and then you are able to buy four weeks later. Wiley experimented with an even tighter schedule. 'Radio Kid' was premiered on Logan Sama's radio show on Monday and released on Sunday. I think a lot more acts should think about that option first before they look at the 'easy way out' in a free download.

Onto my MC of 2010. P Money, who sums up for me, 'More with less'. He released no solo work this year, but featured on 'Ho Riddim' 'Slang Like This' and 'Sweet Shop' and saw his profile raise higher then ever. He can PA those tunes up and down the country alongside last years smashes 'Left The Room' and '1UP' and do full live sets with Grime & Dubstep DJs. He has shown he can do the big live shows, (him and Blacks at Rinse FMs 16th Birthday set with Plastician was massive), can do the lyrical war (does anyone disagree he ended Ghetts?) and he can do a track that isn't about how great his lyrics are or how cool he is (see Numb with Starkey).

The producers have had a good year, breaking out as individuals for the first time, and they have been using the exposure to great effect, working together more, doing DJ sets and I think making better Grime as a result. Without all the producer releases this year I would have had nothing to play, so next year I hope they are able to dictate to the MCs what the best tracks to vocal are, instead of it being the other way round as it has in years gone by. The dual project format that Maniac & Tinchy did a few years back is a system I could see working with Spooky & Kozzie or Swindle & Maxsta. Hopefully heads start to bump in the next few months to get some great vocals to some of the finest instrumental Grime made for a very long time.

The Grime remix this year has returned in a big way. Previously on Grime singles or vinyl it would have been packed with an 'outside the box' remix with someone who is making moves in another scene, to get the original track out there in different places. But now I think it is has been a stronger look for the unity of the scene to be remixing each others work. Terror Danjah's Air Bubble, D.O.Ks Chemical Planet, JME's CD Is Dead, SX's Woo Riddim have been given reworkings from top boys inside the scene, and that is something that wasn't happening at all last year. People were opting for a 'Funky' remix, a 'Dubstep' remix and a 'Bassline' remix.

The best example of a version excursion for the producers this year has been Spooky's Spartan which has been remixed by Teddy, D.O.K, Terror Danjah, Darq E Freaker, Darkos and others and it is all helping the notoriety of the original, bringing variety to DJs selection and giving new names exposure. I am all for it, and I hope that attitude continues in 2011.

Terror Danjah was the first to get the opportunity to showcase the new instrumental Grime movement to the world via his album with Hyperdub which got acclaim across the board. Hopefully that will open the door for a few newer names to showcase this style to a wider audience then the Grime scene. His recent Resident Advisor podcast and appearance alongside Kode 9 on our show can silence any doubt about his versatility as a producer and DJ.

One of the best things to happen this year was Skepta remixing Diddy. To witness it build from seeing Diddy ask for a Grime act on twitter, to seeing him reach out to Skepta (who I believe was the right choice) and a real banger.

Vinyl Releases have come back to the scene, I get asked all the time why I release records, and this is the last time I will say. I don't release vinyl to save vinyl, to bring back records in Grime nor do I think every DJ should be playing vinyl or anything of the sort. The industry standard way to release electronic music is vinyl and digital download. I want Butterz to get the Grime sound way outside our little bubble and I must adhere to the rules that everyone is playing by. On top of that I love physical product, CDs, merchandise and vinyl and I have collected tons of it over the years, and it would be a shame to just let that culture go. I started taking DJing seriously in 2008 so I never got to be part of that golden era of grime vinyl, but there is a generation that does want in, younger then me, and for as long as it is viable I will continue doing putting them out.

Having the physical product has helped our music spread to all over the USA, Japan, Australia, New Zealand and all over Europe and I don't think we could done that with just digital downloads. You would be shocked to know our vinyl revenue is a lot stronger then the digital, and we will work at balancing that out next year. Hopefully Hardrive, Oil Gang and No Hats No Hoods have the same view and will continue putting them out next year.

Here are a selection of records that came out in the second half of 2010 that are all available to buy via Chemical records. You can grab the Butterz stuff on

There hasn't been as many great sets as there were in the first half of the year, but here are a few of my favourites:

Vectra, JJ & Wiley - Rinse FM 7/11/2010
Logan Sama with OGz - Kiss FM 19/11/2010
Logan Sama with JME, D Double E & Footsie 5/10/2010
JJ & Wiley Rinse FM 4/9/2010
JJ & P Money Rinse FM 25/8/2010

Some of my favourite videos

I saw a classic tweet from Wiley which said something along the lines of 'I hope you have all got your Grime singles ready to drop after Pow 2011 is released'. I hope that is what happens, and that energy can be brought back sustainably this time, with quality singles from the older acts right down to the newer acts. It is important that you guys that have read this blog, listened to the music, come to the raves and have posted on the forum continue to support the scene with your wallets this time otherwise there won't be another chance for Grime to rise again like we all want it to.

This is my last ever blog on this site, I feel it's inappropriate for what Butterz has developed into. We started out as a interview based blog back in 2007, interviewing people that didn't normally get the shine elsewhere: producers and Djs. That ethic continued into 2008, and I got seriously into DJing and debuted on Rinse FM in November. Up until early 2010 I balanced showcasing Skilliam & Is show with blogs about the grime scene, frustrations, new ideas and interviews.

2010 came and we started a label, so time wasn't on my side to write about the scene that I love anymore outside of publications, and it just became a more label focused site as the days went by, so I have decided to build a new one, fit for purpose to launch in the new year, and leave the Grime blogging behind. If you visit the domain now, you have a micro version of what I want our final site to look like, mobile blogging, profiles on the artists, uStream section and space for our releases.

Hopefully I will still be given the opportunity from time to time to write in other places about my thoughts on the scene, but going forward I want to focus on DJing and building up the label and the artists I am helping come through.

Thank you to anyone that has ever read this, recommended us, featured the site in a magazine or linked us via your site. There are too many names to mention.

So until our new site is built catch us on Tumblr, Twitter and Facebook for regular updates on our releases, Rinse FM shows and live sets..

Hope to see you in a club one day going mad to Grime


BR003 & BR004 are available now, which takes the release tally up to 5 for the year for Butterz, which im really happy with.
Air Bubble is a track Terror Danjah originally wrote for the first EP we released 'Bipolar' and I decided to let the parts out for everyone to remix. It ended up having well over 100 remixes which you can check out on soundcloud and youtube.

Starkey's remix is vinyl only, and Teezas is digital only, the digital will begin floating next month.

D.O.K is an elusive character and it took us a while to decide what tracks of his to release. We wanted something totally different to his Hardrive release, and his forthcoming Hyperdub release, but still with his signature style. I hope you guys like it!

Its coming, test presses are now floating and he has just done an interview over at BNTL. You can also get a very limited Orangeade T Shirt.

I'm glad we got to release Royal T after two years of receiving music and watching him hone his skills. He sent me what ended up being his debut release '1UP' on the 13th November 08, when I was just getting into DJing seriously. I started on Rinse that same month, and two years later he is releasing on our label. No trendy remixes, no watered down approach, just 100% Grime from the man himself for the first time.

'Orangeade' came about as a joke mocking Teddy aka Silencer who claimed Gucci Manes 'Lemonade' was the best Grime tune at the moment. So for my Birthday back in July I asked Royal T to make me an alternative fizzy drink Grime track for us to play and it was born. People liked it, but it wasn't until P Money & Blacks guested on our show back in August we took the track seriously. I played it as the last song, and they tore it apart.
'The Whistle Song' was written back in February and it was going in and out of our selection as Royal T kept changing bits to it along the way. It was originally intended for No Hats No Hoods and for whatever reason they didn't like it but we did. The other core Grime DJs started regularly playing (and reloading) it and that is the first time it has really happened for a Butterz record.
'Music Please' is another favourite in our sets, but we decided to release the 'Devil Mix' instead just to make things interesting. Nobody releases them in Grime anymore, and I don't want this to cause a 'devil mix on every release' trend, but once in a while for this style of tune, it's good fun. For the DJs in the mix it gives you space to go crazy with it.

He is the youngest producer that we have released so far at 20 years old, and resides in Southampton. So producers that are outside the spiritual home of the Grime scene please never give up, location these days is a minor barrier in music. You can easily send us (and other DJs) music, and we do listen to everything.

Watch out for the full release hitting stores soon

More info on the Facebook page


Check out Wiley from his latest Rinse FM show over some of the latest Butterz material

More info on these soon

Couple of bits in the shops as well: Redeye / Boomkat / Chemical

We have been on radio a lot lately, so I thought I'd do a show post with all the shows incase you miss them as they are all very different.

We will back on Thursday 1-3am GMT